A multidisciplinary artist, he studied at UFPR but completed his training on a self-taught basis. He has exhibited since 1994. In 2006 he was awarded the Bolsa Produção at Fundação Cultural de Curitiba, PR. Some of his works are in private collections and Institutions such as The Museo de la Solidaridad, Fundación Salvador Allende in Santiago, Chile, Fundação Cultural de Curitiba, Museu Afro Brasil in São Paulo, Ole Faarup Collection Copenhagen.

Among his solo exhibitions, it is worth mentioning: Sculptures, Brazil United States Cultural Center, Curitiba / PR, 1996; Visual Metaphors, Casa da Cultura, Ouro Verde Theater, Londrina / PR, 1998; Bojo, Marcelo Scalzo- Ybakatu Espaço de Arte, Curitiba / PR, 2002; Expanded Consciousness, Curitiba Memorial, Curitiba / PR, 2007; Abierta Gallery, Plaza Joan Miró, Barcelona / Spain, 2008. Participated in the group shows 11th Banestado Salon of Unpublished Artists, Galeria Banestado, Curitiba / PR, 1994; 7th Joinville Salon, Joinville Art Museum / SC, 1995; 52º, 53º, 55º, 57º, 59º, 60º and 63º Salão Paranaense, Museum of Contemporary Art of Paraná, 1995, 1996, 1998, 2000, 2002, 2003 and 2009; Only the differences are similar, Universidade Tuiuti do Paraná, 1996; 8th National Biennial of Santos, São Paulo, 2002; 6th João Turin Exhibition, Curitiba / PR, 2004; Negras Memórias, Memories of Negros, Museu Oscar Niemayer, Curitiba / PR, 2006; Live the living culture of the Brazilian people, Museu Afro Brasil, São Paulo / SP, 2006; Meeting between two seas, Bienal de Valencia / Spain, 2007; Small domestic rituals, Galeria Cubo, Barcelona / Spain, 2008; The Magic Eyes of the Americas, Afro Brazil Museum, São Paulo / SP, 2009. About his work, the curator from Afro Brazil Museum, Emanoel Araujo, stated: “His coherence combines the sensations of the pleasures of the table and of art. He is a creator of matter-sensations; now he conceives different forms of feelings, as in a laboratory, now his installations propose a dialogue between the nature of things. Those of nature and those created by man in an always difficult relationship. Silveira's sensitivity is embedded in the subtle observation of these different contrasts ”.